There’s a keen and evocative cultural and stylistic research in the organic production of Domenico Colanzi, which unravel along the thread of time and existence in his drawing, in his painting, in a kind of reasoned and creative climax which has its highest tension point in the sculpture.
Therefore three elements: drawing, painting and sculpture which are closely and stucturally connected in generating their perceivable model development.
In particular, it’s remarkable the very term model which could sound pleonastic in relation to sculpture but actually it’s not at all, in an historical context where sculpture is loosing its most foundational and pertaining features.
From this historical and cultural awareness Domenico Colanzi’s solid expressive proposal deploys, his farsighted aesthetic and ideal synthesis.